Tag Archives: jd twitch

Fear of a black and white planet

I STARTED writing this piece about three years ago. This displays a shockingly shit work ethic, so apologies to everyone I talked to. I am such a lazy arse.

What did John Lennon say? Life is what happens when you’re making other plans. Then again, he also said, Yes Yoko, we will give over an entire floor of the Dakota building to refrigerating your fur coats, laa – so maybe we shouldn’t hold him up as some kind of arbiter of good taste and time-management.

Where was I?

Around the time the 10 Inches Of Fear package came out, I tried to sell a feature to a few of the glossy music-numpty monthlies but they weren’t having any of it – perhaps not so surprising given that it’s all about a collision between two musical big ideas for which they have no great liking in the shape of anarcho-punk and acid house. Their loss.

But I thought I’d do it anyway. Why deprive readers of this blog just because those miserable cunts in London don’t know their arses from their elbows? I set about interviewing as many of the people involved in the project as I could.

Unfortunately, after I’d talked to everyone else, the interview I did over the phone with Mark Wilson from the Mob was blotted out by the dull throb from a lousy landline and I kind of lost all enthusiasm for it. It just began to seem too much like hard work.

I didn’t so much put it on the backburner as wrap it up in a couple of carriers, stick it in a bin bag and bury it at the bottom of the garden.

I eventually got around to giving it another go, though I still couldn’t make out half of what Mark Wilson said.  It’s a bit of an epic one, so I’d make a cup of tea and put your feet up.

Grumpy old punx should also note that I talked to Donna / Honey for quite some time and have plenty more material which didn’t really fit into this piece. I’ll get it together and write all that up at some point in the future.

See you in 2013.

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Filed under expletive undeleted, features

Doublethink Babylon and Ten Inches Of Fear

SEVENTY years ago to the day, the tall, gangly figure of Eric Arthur Blair – retired colonial cop, one-time down-and-out, Paris plongeur, Spanish Civil War veteran and the author and journalist known as George Orwell – was loping around the gardens of the sanatorium in Kent where he was recovering from a near-fatal lung haemorrhage.

How do I know this? Well, the Orwell Trust, which administers the writer’s estate, had the clever idea of publishing Orwell’s diary for the period from August 1938 to October 1942 as a blog in real-time, seven decades after it was written.

Although Orwell wrote another much more overtly political diary (which starts going online next month) in this pre-war period, he’d been shot in the throat in Tarragona a year before and was probably not at his best, what with the lung problems and all. Most of the entries posted so far have found him musing on the weather, blackberries and killing snakes. But then, Orwell had a deep and abiding love of the English countryside – just read Coming Up For Air.

For an Orwell nerd like myself, it’s absolutely fascinating stuff and I look forward to reading more. But besides the spare, concise elegance of his writing, his astounding political and social insight and his willingness to get stuck in, to get involved rather than just talking about it, one of the things that I like most about Orwell is that he was a bit of a word-whore, endlessly rewriting and recycling his stuff for different audiences.

But when Eric wrote these diaries, he never intended that they be published. What would he think of the comments on the blog, I wonder.

If the past is another country, it’s one we visit more and more.

Laden down by an ever-expanding knapsack full of maps, phrase books, audio-guides and boutique hotel recommendations, eager to explore every single dusty nook and cranny, we also leave no stone unturned in our quest to get a real feel for the place, away from the tourist trail, off the beaten track. ‘Undiscovered’ territory.

Of course, there’s a lot of stuff about old records and times past on Expletive Undeleted. Is there any difference between what I’m doing and what some numpty punk traitor does on 100 Greatest Punk Rock Sell-Outs? It’s probably not for me to say, but I hope so.

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Filed under expletive undeleted, hyperbole